torek, 26. april 2016

Macondo (2014)



Slo naslov: - 
Država: Avstrija
Leto: 2014
Dolžina: 98',  Imdb
Žanri: Drama   
Slo recenzija: -
Režija: Sudabeh Mortezai
Scenarij: Sudabeh Mortezai
Igrajo: Ramasan Minkailov, Aslan Elbiev, Kheda Gazieva, Rosa Minkailova, Iman Nasuhanowa, Askhab Umaev, Hamsat Nasuhanov, Champascha Sadulajev

[ENG]


Ramasan has a lot of responsibility for an 11-year-old. In traditional Chechen society, he is now considered the man of the house in charge of his mother and two younger sisters. His world is now centered in Macondo, a tough ethnic neighborhood in the industrial suburbs of Vienna.
Ramasan speaks German much better than his mother Aminat, and he often translates for her regarding school and government welfare matters. Aminat is still coping with having lost her husband, fleeing Chechnya and trying to make ends meet as a single mother and foreigner in a new society.
Ramasan's confined world is disrupted when Isa, his father's war buddy, moves into the low-income housing complex. Isa pays his respects to Aminat and her children, giving them the watch and a family photo his dead friend always carried with him.
This encounter awakens Ramasan's interest in his father. He seeks Isa's company, but the outsider remains secretive about the past. Isa gradually opens up and a bond evolves between them that helps young Ramasan face and overcome his worst fear. Isa could become a new, much more human, father figure than the boy's abstract memory of the war hero at the family altar. But when Aminat begins to warm up to Isa, conflicted Ramasan feels the need to protect the image of his dead father…

[Press Comments]


...a wonderfully engaging, absorbing coming of age/culture clash tale ... an absolutely astonishing performance from its young, effortlessly natural lead Ramasan Minkailov...superb performances, authentic context and impressive filmmaking…
(Jenny Kiang, Indiewire)

Sudabeh Mortezai's first narrative feature is modest in scope yet entirely captivating in the docu-style humanism of its approach, enriched by unsentimental compassion for its characters.
(David Rooney, The Hollywood Reporter)

This sensitive Austrian social drama from docu helmer Sudabeh Mortezai focuses on a refugee settlement outside Vienna ... a deeply humanist perspective well suited to international festival travel.
(Peter Debruge, Variety)


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